Cock and Bull Festival

The lovely Henry Trew whom I had got to know while he was running Dalston Roof Park had a big hand in organising this small but beautifully formed festival which raises vital funds for Jamie’s Farm to host outdoor education trips for inner-city children.

I helped out for a few years and really enjoyed adding some projections to an experimental space with a collection of artists from the studios where I worked the first year. In 2016 I designed the ‘main stage’ in the barn for the first time. I found some materials on site and constructed some organic shaped screens which hung above the stage to be mapped with projections.

In 2018 I was joined for the fun by Brendan from Insight Lighting, Gary Deepvisual and Hanzo of http://initstudio.net/ and we filled the barn and yard with lighting and projections for the whole weekend.

Splice Festival

In 2015 I was sacked from a job, dumped by my girlfriend and also given notice to leave where I was living, all within a week. Pretty bleak. I decided to turn all of that negativity into something positive, distracting and useful!

I wanted to realise a long held dream of organising an audiovisual festival. Initial plans were conconcted and emails went out to the people whom I wanted to help make it a reality. After a year of hard work and commitment from a small team of directors with huge contributions from the community of artists and volunteers Splice Festival was first staged from the 3rd to the 5th June 2016 and continued for three editions.

http://2016.splicefestival.com/

http://2017.splicefestival.com/

http://2018.splicefestival.com/

Elton John Aids Foundation

I was renting a desk in the studio of my good friends Insight Lighting when they asked if I could help create some of the content and be part of the technical team on the biggest show I had ever worked on at the time. Another great animator on the team was Pep Palau.

It was simply huge! It was held at Evolution Battersea which is a giant blank canvas for events. The set-up consisted of: 21 projectors, 12 for the 360º surround image, 8 for backgrounds visible through the wrap-around translucent mesh screen and 1 for the stage show. Main content was all delivered using Modul8 by Brendan from a MacPro with 2 GPU’s and some clever use of a matrix switcher.

Panoramic photographs by Pep Palau



Jody Wildgoose: Album Design 2

Continuing our successful creative relationship I was more than happy to collaborate with Jody once again to create the cover for his second album ‘Afterlife’.

He came to me with a very low res portrait taken on an old mobile phone and I did my best to make it presentable with some layering and blur. There are two other sets of photographs layered together in the design. One is from a roll of ‘found film’ that I retrieved from a camera discovered in the mud at Glastonbury festival the second set is of a sunset on the Island of Inhaca taken by a friend who borrowed my camera.


The Birth of ‘Jammin Crew’

One of the greatest friends I met at university is Sam Daniel, once upon a time Sam had an idea….

Photo by Chris Peake

Sam’s birthday falls between Christmas and New Years eve so for once he wanted to have a big party.
27th Dec 2005 and the idea comes together, a crew of us head down from Sheffield to meet up with Sam and his friends at a basement venue close to the end of Oxford st.

What followed is legendary amongst the friends who were there…and became a labour of love for a small group of us for the next few years. We created events at a huge range of pubs, clubs and venues around London and in Sheffield. We really should have a standalone website and archive!