The multi-talented filmmaker, musician, artists and director Zahed Sultan invited me to create the stage set projections for this show at The Albany Theatre, Deptford after I spotted a post on social media looking for my skills. The Haramacy residency program and multi arts festival was held on the 27th April 2019. The program brought together 11 artists from Middle Eastern and South Asian communities in London for a 4-day residency to collaborate and create works that would be performed on the fifth day. I designed and fabricated the triangular screens using a mixture of rear and front projection materials. I worked with the artists to create content for the triangular screens and use the design successfully.
I have freelanced with Transition since 2017. The first job they sent me out on was at Hammersmith Apollo to set-up a pair of projectors and screens for an Erykah Badu concert. They have employed me as VJ for the main stage at Beat Herder Festival in 2017 and 2018, LED technician and Camera Operator for multiple stages at Parklife Festival and Manchester Pride among many other events. Highlights shows with them have been at Wembley Arena and La Seine Musicale in Paris for a Korean boy band. While I was VJ at Beat Herder I had the pleasure to perform alongside many musical greats including one of my all time favourites Lee Scratch Perry.
The lovely Henry Trew whom I had got to know while he was running Dalston Roof Park had a big hand in organising this small but beautifully formed festival which raises vital funds for Jamie’s Farm to host outdoor education trips for inner-city children.
I helped out for a few years and really enjoyed adding some projections to an experimental space with a collection of artists from the studios where I worked the first year. In 2016 I designed the ‘main stage’ in the barn for the first time. I found some materials on site and constructed some organic shaped screens which hung above the stage to be mapped with projections.
In 2015 I was sacked from a job, dumped by my girlfriend and also given notice to leave where I was living, all within a week. Pretty bleak. I decided to turn all of that negativity into something positive, distracting and useful!
I wanted to realise a long held dream of organising an audiovisual festival. Initial plans were conconcted and emails went out to the people whom I wanted to help make it a reality. After a year of hard work and commitment from a small team of directors with huge contributions from the community of artists and volunteers Splice Festival was first staged from the 3rd to the 5th June 2016: http://2016.splicefestival.com/
Ben Sheppee at Light Rhythm Visuals (now Observatory London) sent me out on a few VJ shows this summer. Two with Shikari Sound System and one with Dizzee Rascal. Ben supplied all the content for both artists regularly and it was a pleasure to go out on the road for him. The Shikari Sound System show was all triggered by the band over a network so easy for me once it was all rehearsed and working. Shows at Leeds and Reading Festivals followed and duly executed in the muddy fields that were.
The Dizzee Rascal show was a different kettle of fish. Soho House Summer party, a bourgeois heaven in the grounds of a mansion on the outskirts of London with lobsters and champagne on tap. Can’t say I didn’t indulge. It was nice to meet De La Soul backstage too. No photos or recordings of that one!
I was more than happy to pitch in when Australian born filmmaker and Hackney resident Steven McInerney pulled together a team for this cool community event. Hackney was ripe for a film festival with the abundance of creatives in the borough and the team pulled off great festivals for three years from 2010-12.
I installed the projectors for the performances and screenings and also played some audiovisual sets with Ojah.
There are loads of great photo’s and lots more info about the events programme on the Facebook page and videos on Vimeo